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  1. Published
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    Bijsterveld, K. T. (2006). A Booming Business: The Search for a Golden Standard of Indicating Aircraft Noise. In Science and Society. Praemium Erasmianum Jaarboek 2005 Amsterdam: Praemium Erasmianum Foundation.
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    Bijsterveld, K. T. (2000). 'A Servile Imitation'. Disputes about Machines in Music, 1910-1930. In HJ. Braun (Ed.), "I sing the body electric" : music and technology in the 20th century (pp. 121-134). Hofheim: Wolke Verlag.
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    Bijsterveld, K. T. (2002). A Serville Imitation: Disputes about Machines in Music, 1910-1930. In H. J. Braun (Ed.), Music and Technology in the 20th Century (pp. 121-135). Baltimore, MD: Johns Hopkins University Press.
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    Bijsterveld, K. T. (2012). A Wall of Sound: In 'Making the walls quake...': Catalogue Polish Pavilion, 13th International Architecture Exhibition, La Biennale di Venezia 2012 (pp. 160-194). Warsaw: National Gallery of Art.
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    Bijsterveld, K. T. (2013). A Wall of Sound: The Gramophone, the Radio, and the Noise of Neighbours. In M. Bull (Ed.), Sound Studies (pp. 209-239). (Critical Concepts in Media and Cutural Studies; No. Vol.2). New York: Routledge/Taylor & Francis Group.
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    Bijsterveld, K. T. (2002). Big Brother's Whisper. Muzak, cultural studies en techniek-onderzoek. In J. Baetens, & G. Verstraete (Eds.), Cultural Studies. Een Inleiding (pp. 99-114). Nijmegen: Uitgeverij Vantilt.
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    Bijsterveld, K. T. (2011). Bruit et Silence: Conceptions Culturelles. In M-O. Gonseth, B. Knodel, Y. Laville, & G. Mayor (Eds.), Bruits: Echos du Patrimoine culturel immatériel (pp. 58-65). Neuchâtel: Musée d'Ethnographie.
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    Koenis, J., & Bijsterveld, K. (2018). Conceptual Analysis. Maastricht: Creative Commons.
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    Bijsterveld, K., & Bruyninckx, J. (2017). De kunst van het afluisteren. In Tafelwetenschappers 2017: Avond van Wetenschap en Maatschappij (pp. 3). Amsterdam: Stichting Avond van Wetenschap en Maatschappij.
  23. Published
    Jacobs, A. E. G., & Bijsterveld, K. T. (2014). Der Klang der Besatzungszeit: Amsterdam 1940 bis 1945. In G. Paul, & R. Schock (Eds.), Sound der Zeit: Geräusche, Töne, Stimmen - 1889 bis heute (pp. 254-261). Göttingen: Wallstein Verlag.
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    Jacobs, A. E. G., & Bijsterveld, K. T. (2013). Der Klang der Besatzungszeit: Amsterdam 1940 bis 1945. In G. Paul, & R. Schock (Eds.), Sound des Jahrhunderts. Geräusche, Töne, Stimmen - 1889 bis heute (pp. 252-257). (Zeitbilder). Bonn: Bundeszentrale für Politische Bildung.
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    Bijsterveld, K. T. (1999). Domestic Soundscapes. A History of Neighbours and Noise Control in the Netherlands. In M. Fahres, & O. Schimmel (Eds.), Soundscapes (be)for(e) 2000 (pp. 53-55). Amsterdam: Centre for Electronic Music.
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    Bijsterveld, K. T. (2010). Driving Away from Noise: On How the Car Became a Place to Unwind. In K. T. Bijsterveld (Ed.), Science and Technology Studies at Maastricht University: An Anthology of Inaugural Lectures (pp. 123-146). Maastricht: University Press Maastricht.
  27. Published
    Bijsterveld, K. (2018). Ears-on Exhibitions: Sound in the History Museum. In D. Howes (Ed.), History and Sociology (Vol. 2, pp. 345-359). (Senses and Sensation : Critical and Primary Sources). London: Bloomsbury Academic.
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    Bijsterveld, K. T. (2013). Eavesdropping on Europe: The Tape Recorder and East-West Relations among European Recording Amateurs in the Cold War Era. In A. Badenoch, A. Fickers, & C. Heinrich-Franke (Eds.), Airy Curtains in the European Ether: Broadcasting and the Cold War (pp. 101-121). Baden-Baden: Nomos Verlag.
  30. Published
    Bijsterveld, K. T. (2008). Een duivelse symfonie: Stadslawaai en de symboliek van geluid in West-Europa en de Verenigde Staten, 1900-1940. In Proceedings Congres Geluid, Trillingen en Luchtkwaliteit in Nederland Nieuwegein.
  31. Published
    Bijsterveld, K. T. (2016). Ethnography and Archival Research in Studying Cultures of Sound. In J. G. Papenburg, & H. Schulze (Eds.), Sound as Popular Culture Research Companion (pp. 99-109). Cambridge, MA: MIT.
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    Bijsterveld, K. T. (1998). Geluiden. In R. Engbersen (Ed.), Indicatoren van A tot Z. Van achterstandsscores tot zwerfkatten (pp. 83-84). Utrecht: NIZW.
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    Bijsterveld, K. T. (2001). Het verleden van de ouderdom: een nieuwe orde in een versplinterd beeld. In Y. Quispel, & L. Christ (Eds.), Ouder worden: een kwestie van leeftijd? Theorieën over leeftijd in relatie tot veroudering, levensfasen en levensloop (pp. 31-40). Utrecht: LBL, expertisecentrum leeftijd en maatschappij.
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    Pinch, T., & Bijsterveld, K. T. (2015). Instruments and Innovation. In J. Shepherd, & K. Devine (Eds.), The Routledge Reader on the Sociology of Music (pp. 301-309). New York [etc.]: Routledge/Taylor & Francis Group.
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    Bijsterveld, K. T. (2013). Introduction. In K. Bijsterveld (Ed.), Soundscapes of the Urban past: Staged Sound as Mediated Cultural Heritage (pp. 11-28). (Sound Studies Series; No. No. 5). Bielefeld: Transcript Verlag.
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    Bijsterveld, K. T., & van Dijck, J. (2009). Introduction. In K. Bijsterveld, & J. V. Dijck (Eds.), Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (pp. 11-21). Amsterdam: Amsterdam University Press.
  41. Published
    Bijsterveld, K. T. (2010). Introduction. In K. T. Bijsterveld (Ed.), Science and Technology Studies at Maastricht University: An Anthology of Inaugural Lectures (pp. 5-12). Maastricht: University Press Maastricht.
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    Bijsterveld, K. T. (2008). Kettingkunst. Mosaïek, 10(1), 80-81.
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    Supper, A., & Bijsterveld, K. (2018). Klingt überzeugend: Arten des Zuhörens und Sonic Skills in Wissenspraktiken. In M. Zorn, & U. Lenker (Eds.), (Zu-) Hören interdisziplinär (pp. 133-146). (Münchner Veröffentlichungen zur Musikgeschichte; No. 1). München: Allitera Verlag.
  45. Published
    Bijsterveld, K. T. (2012). Listening to Machines: Industrial Noise, Hearing Loss and the Cultural Meaning of Sound. In J. Sterne (Ed.), The Sound Studies Reader (pp. 152-167). New York: Routledge/Taylor & Francis Group.
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    Bijsterveld, K. T., & Krebs, S. (2013). Listening to the Sounding Objects of the Past: The Case of the Car. In K. Franinovic, & S. Serafin (Eds.), Sonic Interaction Design (pp. 3-38). Cambridge, MA: MIT Press.
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