Culture and critique: Notes on a polysemic relationship

Vasiliki Belia; Laura Candidatu; Gianmaria Colpani; Milica Trakilović

doi:10.5117/9789048560110_belia

Culture and critique: Notes on a polysemic relationship

Vasiliki Belia, Laura Candidatu^*, Gianmaria Colpani, Milica Trakilović

^*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceeding › Chapter › Academic

Abstract

In her work on cultural critique, Rosemarie Buikema conceptualizes culture as a terrain for the elaboration and contestation of collective memory, a form that mediates social formations, and a practice that critically supplements the political. Taking the polysemic relationship between culture and critique as our starting point, we bring Buikema’s reflections to bear on our own work on post-Yugoslav visual art, feminist graphic narratives, and digital media. We pay special attention to the question of “medium specificity”, which is central to Buikema’s conceptual intervention. Our goal is to illustrate the expansive reach of this intervention across multiple fields of inquiry.

Original language	English
Title of host publication	Transities in kunst, cultuur en politiek
Subtitle of host publication	Transitions in Art, Culture, and Politics
Editors	Sandra Ponzanesi, Kathrin Thiele, Domitilla Olivieri, Eva Midden, Trude Oorschot
Place of Publication	Amsterdam
Publisher	Amsterdam University Press
Pages	77-89
Number of pages	13
ISBN (Electronic)	9789048560127
ISBN (Print)	9789048560110
DOIs	https://doi.org/10.5117/9789048560110_belia
Publication status	Published - 12 Oct 2023

Keywords

cultural critique; medium specificity; post-Yugoslav art; feminist graphic narratives; digital media; mediation

Access to Document

10.5117/9789048560110_belia

https://library.oapen.org/handle/20.500.12657/76680Licence: Free access - publisher

Cite this

@inbook{c3710520b3e940c693ed6339a3ff784c,

title = "Culture and critique: Notes on a polysemic relationship",

abstract = "In her work on cultural critique, Rosemarie Buikema conceptualizes culture as a terrain for the elaboration and contestation of collective memory, a form that mediates social formations, and a practice that critically supplements the political. Taking the polysemic relationship between culture and critique as our starting point, we bring Buikema{\textquoteright}s reflections to bear on our own work on post-Yugoslav visual art, feminist graphic narratives, and digital media. We pay special attention to the question of “medium specificity”, which is central to Buikema{\textquoteright}s conceptual intervention. Our goal is to illustrate the expansive reach of this intervention across multiple fields of inquiry.",

keywords = "cultural critique; medium specificity; post-Yugoslav art; feminist graphic narratives; digital media; mediation",

author = "Vasiliki Belia and Laura Candidatu and Gianmaria Colpani and Milica Trakilovi{\'c}",

year = "2023",

month = oct,

day = "12",

doi = "10.5117/9789048560110_belia",

language = "English",

isbn = "9789048560110",

pages = "77--89",

editor = "Sandra Ponzanesi and Kathrin Thiele and Domitilla Olivieri and Eva Midden and Trude Oorschot",

booktitle = "Transities in kunst, cultuur en politiek",

publisher = "Amsterdam University Press",

address = "Netherlands",

}

Culture and critique: Notes on a polysemic relationship. / Belia, Vasiliki; Candidatu, Laura; Colpani, Gianmaria et al.
Transities in kunst, cultuur en politiek: Transitions in Art, Culture, and Politics. ed. / Sandra Ponzanesi; Kathrin Thiele; Domitilla Olivieri; Eva Midden; Trude Oorschot. Amsterdam: Amsterdam University Press, 2023. p. 77-89.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › Academic

TY - CHAP

T1 - Culture and critique

T2 - Notes on a polysemic relationship

AU - Belia, Vasiliki

AU - Candidatu, Laura

AU - Colpani, Gianmaria

AU - Trakilović, Milica

PY - 2023/10/12

Y1 - 2023/10/12

N2 - In her work on cultural critique, Rosemarie Buikema conceptualizes culture as a terrain for the elaboration and contestation of collective memory, a form that mediates social formations, and a practice that critically supplements the political. Taking the polysemic relationship between culture and critique as our starting point, we bring Buikema’s reflections to bear on our own work on post-Yugoslav visual art, feminist graphic narratives, and digital media. We pay special attention to the question of “medium specificity”, which is central to Buikema’s conceptual intervention. Our goal is to illustrate the expansive reach of this intervention across multiple fields of inquiry.

AB - In her work on cultural critique, Rosemarie Buikema conceptualizes culture as a terrain for the elaboration and contestation of collective memory, a form that mediates social formations, and a practice that critically supplements the political. Taking the polysemic relationship between culture and critique as our starting point, we bring Buikema’s reflections to bear on our own work on post-Yugoslav visual art, feminist graphic narratives, and digital media. We pay special attention to the question of “medium specificity”, which is central to Buikema’s conceptual intervention. Our goal is to illustrate the expansive reach of this intervention across multiple fields of inquiry.

KW - cultural critique; medium specificity; post-Yugoslav art; feminist graphic narratives; digital media; mediation

U2 - 10.5117/9789048560110_belia

DO - 10.5117/9789048560110_belia

M3 - Chapter

SN - 9789048560110

SP - 77

EP - 89

BT - Transities in kunst, cultuur en politiek

A2 - Ponzanesi, Sandra

A2 - Thiele, Kathrin

A2 - Olivieri, Domitilla

A2 - Midden, Eva

A2 - Oorschot, Trude

PB - Amsterdam University Press

CY - Amsterdam

ER -

Culture and critique: Notes on a polysemic relationship

Abstract

Keywords

Access to Document

Fingerprint

Cite this