View graph of relations
  1. 2019
  2. Published
  3. Published
  4. 2018
  5. Published
  6. Published
    Koenis, J., & Bijsterveld, K. (2018). Conceptual Analysis. Maastricht: Creative Commons.
  7. Published
  8. Published
    Bijsterveld, K. (2018). Ears-on Exhibitions: Sound in the History Museum. In D. Howes (Ed.), History and Sociology (Vol. 2, pp. 345-359). (Senses and Sensation : Critical and Primary Sources). London: Bloomsbury Academic.
  9. Published
    Supper, A., & Bijsterveld, K. (2018). Klingt überzeugend: Arten des Zuhörens und Sonic Skills in Wissenspraktiken. In M. Zorn, & U. Lenker (Eds.), (Zu-) Hören interdisziplinär (pp. 133-146). (Münchner Veröffentlichungen zur Musikgeschichte; No. 1). München: Allitera Verlag.
  10. Published
  11. Published
  12. Published
    Bijsterveld, K. T. (2018). Sound Waves of Protest: Noise Abatement Movements. In M. Bull (Ed.), The Routledge Companion to Sound Studies New York [etc.]: Routledge/Taylor & Francis Group.
  13. Published
    Bijsterveld, K. (2018). Vorwort. In B. Brabec de Mori, & M. Winter (Eds.), Auditive Wissenskulturen: Das Wissen klanglicher Praxis (pp. xi). Springer: Transcript.
  14. 2017
  15. Published
  16. Published
    Bijsterveld, K., & Bruyninckx, J. (2017). De kunst van het afluisteren. In Tafelwetenschappers 2017: Avond van Wetenschap en Maatschappij (pp. 3). Amsterdam: Stichting Avond van Wetenschap en Maatschappij.
  17. Published
    Bijsterveld, K. (2017). Piepende oren: Over de rol van wetenschap in het ontstaan van publieke problemen. In H. van Lente, T. Swierstra, S. Wyatt, & R. Zeiss (Eds.), Wegwijs in STS - Knowing your way in STS (pp. 99-103). Datawyse.
  18. Published
  19. 2016
  20. Published
    Bijsterveld, K. T. (2016). Ethnography and Archival Research in Studying Cultures of Sound. In J. G. Papenburg, & H. Schulze (Eds.), Sound as Popular Culture Research Companion (pp. 99-109). Cambridge, MA: MIT.
  21. Published
  22. Published
    Bijsterveld, K. T. (2016). Nichts zu sehen, aber viel zu hören: Lärmschutzwände und die Einführung von KFZ-Audiosystemen. In B. Ochsner, & R. Stock (Eds.), SenseAbility: Mediale Praktiken des Sehens und Hörens (pp. 189-205). Bielefeld: Transcript.
  23. 2015
  24. Published
  25. Published
  26. Published
  27. Published
  28. Published
    Pinch, T., & Bijsterveld, K. T. (2015). Instruments and Innovation. In J. Shepherd, & K. Devine (Eds.), The Routledge Reader on the Sociology of Music (pp. 301-309). New York [etc.]: Routledge/Taylor & Francis Group.
  29. 2014
  30. Published
  31. Published
  32. Published
    Jacobs, A. E. G., & Bijsterveld, K. T. (2014). Der Klang der Besatzungszeit: Amsterdam 1940 bis 1945. In G. Paul, & R. Schock (Eds.), Sound der Zeit: Geräusche, Töne, Stimmen - 1889 bis heute (pp. 254-261). Göttingen: Wallstein Verlag.
  33. Published
  34. Published
    Bijsterveld, K. T., Cleophas, E. M., Krebs, S., & Mom, G. (2014). Sound and Safe: A History of Listening behind the Wheel. Oxford and New York: Oxford University Press.
  35. Published
  36. 2013
  37. Published
    Bijsterveld, K. T. (2013). A Wall of Sound: The Gramophone, the Radio, and the Noise of Neighbours. In M. Bull (Ed.), Sound Studies (pp. 209-239). (Critical Concepts in Media and Cutural Studies; No. Vol.2). New York: Routledge/Taylor & Francis Group.
  38. Published
    Jacobs, A. E. G., & Bijsterveld, K. T. (2013). Der Klang der Besatzungszeit: Amsterdam 1940 bis 1945. In G. Paul, & R. Schock (Eds.), Sound des Jahrhunderts. Geräusche, Töne, Stimmen - 1889 bis heute (pp. 252-257). (Zeitbilder). Bonn: Bundeszentrale für Politische Bildung.
  39. Published
    Bijsterveld, K. T. (2013). Eavesdropping on Europe: The Tape Recorder and East-West Relations among European Recording Amateurs in the Cold War Era. In A. Badenoch, A. Fickers, & C. Heinrich-Franke (Eds.), Airy Curtains in the European Ether: Broadcasting and the Cold War (pp. 101-121). Baden-Baden: Nomos Verlag.
  40. Published
    Bijsterveld, K. T. (2013). Introduction. In K. Bijsterveld (Ed.), Soundscapes of the Urban past: Staged Sound as Mediated Cultural Heritage (pp. 11-28). (Sound Studies Series; No. No. 5). Bielefeld: Transcript Verlag.
  41. Published
    Bijsterveld, K. T., & Krebs, S. (2013). Listening to the Sounding Objects of the Past: The Case of the Car. In K. Franinovic, & S. Serafin (Eds.), Sonic Interaction Design (pp. 3-38). Cambridge, MA: MIT Press.
  42. Published
    Bijsterveld, K. T., Jacobs, A. E. G., Aalbers, J. F. W., & Fickers, A. (2013). Shifting Sounds: Textualization and Dramatization of Urban Soundscapes. In K. Bijsterveld (Ed.), Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage (pp. 31-66). (Sound Studies Series; No. No. 5). Bielefeld: Transcript Verlag.
  43. Published
    Pinch, T., & Bijsterveld, K. T. (2013). 'Should One Applaud?': Breaches and Boundaries in the Reception of New Technology in Music. In M. Bull (Ed.), Sound Studies (pp. 270-291). (Critical Concepts in Media and Cultural Studies; No. Vol. 3). New York: Routledge/Taylor & Francis Group.
  44. Published
    Bijsterveld, K. T., van Dijck, J., Jacobs, A. E. G., & Jansen, B. (2013). Sound Technologies and Cultural Practices: How Analogies Make us Listen to Transformations in Arts and Culture. In J. Thissen, R. Zwijnenberg, & K. Zijlmans (Eds.), Contemporary Culture: New Directions in Arts & Humanities Research (pp. 139-154). (Transformations in Art and Culture). Amsterdam: Amsterdam University Press.
  45. Published
    Fickers, A., Aalbers, J. F. W., Jacobs, A. E. G., & Bijsterveld, K. T. (2013). Sounds Familiar: Intermediality and Remediation in the Written, Sonic and Audiovisual Narratives of Berlin Alexanderplatz. In K. Bijsterveld (Ed.), Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage (pp. 77-115). (Sound Studies Series; No. No. 5). Bielefeld: Transcript Verlag.
  46. Published
    Bijsterveld, K. T. (2013). Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage. (Sound Studies Series; No. No. 5). Bielefeld: Transcript.
  47. 2012
  48. Published
    Bijsterveld, K. T. (2012). A Wall of Sound: In 'Making the walls quake...': Catalogue Polish Pavilion, 13th International Architecture Exhibition, La Biennale di Venezia 2012 (pp. 160-194). Warsaw: National Gallery of Art.
  49. Published
    Bijsterveld, K. T. (2012). Listening to Machines: Industrial Noise, Hearing Loss and the Cultural Meaning of Sound. In J. Sterne (Ed.), The Sound Studies Reader (pp. 152-167). New York: Routledge/Taylor & Francis Group.
  50. Published
    Pinch, T., & Bijsterveld, K. T. (2012). New Keys to the World of Sound. In T. Pinch, & K. Bijsterveld (Eds.), The Oxford Handbook of Sound Studies (pp. 3-35). Oxford: Oxford University Press.
  51. Published
    Cleophas, E. M., & Bijsterveld, K. T. (2012). Selling Sound: Testing, Designing and Marketing Sound in the European Car Industry. In T. Pinch, & K. T. Bijsterveld (Eds.), The Oxford Handbook of Sound Studies (pp. 102-124). Oxford: Oxford University Press.
  52. Published
  53. Published
    Pinch, T., & Bijsterveld, K. T. (2012). The Oxford Handbook of Sound Studies. Oxford: Oxford University Press.
  54. 2011
  55. Published
    Bijsterveld, K. T. (2011). Bruit et Silence: Conceptions Culturelles. In M-O. Gonseth, B. Knodel, Y. Laville, & G. Mayor (Eds.), Bruits: Echos du Patrimoine culturel immatériel (pp. 58-65). Neuchâtel: Musée d'Ethnographie.
  56. Published
    Pinch, T., & Bijsterveld, K. T. (2011). Sound Studies: New Technologies and Music. In C. Rojek (Ed.), Popular Music, Volume 2: Technology and Copyright: Formations of Technology (pp. 3-16). London: SAGE.
  57. 2010
  58. Published
  59. Published
  60. Published
    Bijsterveld, K. T. (2010). Driving Away from Noise: On How the Car Became a Place to Unwind. In K. T. Bijsterveld (Ed.), Science and Technology Studies at Maastricht University: An Anthology of Inaugural Lectures (pp. 123-146). Maastricht: University Press Maastricht.
  61. Published
    Bijsterveld, K. T. (2010). Introduction. In K. T. Bijsterveld (Ed.), Science and Technology Studies at Maastricht University: An Anthology of Inaugural Lectures (pp. 5-12). Maastricht: University Press Maastricht.
  62. Published
  63. Published
  64. Published
  65. 2009
  66. Published
    Bijsterveld, K. T., & van Dijck, J. (2009). Introduction. In K. Bijsterveld, & J. V. Dijck (Eds.), Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (pp. 11-21). Amsterdam: Amsterdam University Press.
  67. Published
    Bijsterveld, K. T., & van Dijck, J. (2009). Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press.
  68. Published
    Bijsterveld, K. T., & Jacobs, A. E. G. (2009). Storing Sound Souvenirs. The Multi-Sited Domestication of the Tape Recorder. In K. Bijsterveld, & J. V. Dijck (Eds.), Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (pp. 25-42). Amsterdam: Amsterdam University Press.
  69. 2008
  70. Published
    Bijsterveld, K. T. (2008). Een duivelse symfonie: Stadslawaai en de symboliek van geluid in West-Europa en de Verenigde Staten, 1900-1940. In Proceedings Congres Geluid, Trillingen en Luchtkwaliteit in Nederland Nieuwegein.
  71. Published
    Bijsterveld, K. T. (2008). Kettingkunst. Mosaïek, 10(1), 80-81.
  72. Published
  73. 2007
  74. Published
  75. Published
  76. Published
    Pinch, T., & Bijsterveld, K. T. (2007). Sound Studies: New Technologies and Music. In R. Fouché (Ed.), Technology Studies London: SAGE.
  77. 2006
  78. Published
    Bijsterveld, K. T. (2006). A Booming Business: The Search for a Golden Standard of Indicating Aircraft Noise. In Science and Society. Praemium Erasmianum Jaarboek 2005 Amsterdam: Praemium Erasmianum Foundation.
  79. Published
  80. 2005
  81. Published
    Bijsterveld, K. T. (2005). Review. Technology and Culture, 46(October), 51-52.
  82. 2004
  83. Published
  84. Published
  85. Published
  86. Published
  87. 2003
  88. Published
  89. Published
  90. Published
  91. Published
  92. Published
  93. Published
  94. Published
  95. Published
  96. 2002
  97. Published
    Bijsterveld, K. T. (2002). A Serville Imitation: Disputes about Machines in Music, 1910-1930. In H. J. Braun (Ed.), Music and Technology in the 20th Century (pp. 121-135). Baltimore, MD: Johns Hopkins University Press.
  98. Published
    Bijsterveld, K. T. (2002). Big Brother's Whisper. Muzak, cultural studies en techniek-onderzoek. In J. Baetens, & G. Verstraete (Eds.), Cultural Studies. Een Inleiding (pp. 99-114). Nijmegen: Uitgeverij Vantilt.
  99. Published
  100. 2001
  101. Published
    Bijsterveld, K. T. (2001). Het verleden van de ouderdom: een nieuwe orde in een versplinterd beeld. In Y. Quispel, & L. Christ (Eds.), Ouder worden: een kwestie van leeftijd? Theorieën over leeftijd in relatie tot veroudering, levensfasen en levensloop (pp. 31-40). Utrecht: LBL, expertisecentrum leeftijd en maatschappij.
  102. Published
  103. Published
  104. 2000
  105. Published
    Bijsterveld, K. T. (2000). 'A Servile Imitation'. Disputes about Machines in Music, 1910-1930. In HJ. Braun (Ed.), "I sing the body electric" : music and technology in the 20th century (pp. 121-134). Hofheim: Wolke Verlag.
  106. Published
  107. Published
  108. Published
  109. 1999
  110. Published
  111. Published
    Bijsterveld, K. T. (1999). Domestic Soundscapes. A History of Neighbours and Noise Control in the Netherlands. In M. Fahres, & O. Schimmel (Eds.), Soundscapes (be)for(e) 2000 (pp. 53-55). Amsterdam: Centre for Electronic Music.
  112. Published
  113. Published
    Bartholomée, Y., & Bijsterveld, K. T. (1999). Voor de goede orde. Mr. J. Everts en de samenwerking binnen het maatschappelijk werk, 1900-1950. In B. Waaldijk, J. V. D. Stel, & G. V. D. Laan (Eds.), Honderd jaar sociale arbeid. Portretten en praktijken uit de geschiedenis van het maatschappelijk werk (pp. 70-82). Assen: Van Gorcum.
  114. Published
  115. 1998
  116. Published
    Bijsterveld, K. T. (1998). Geluiden. In R. Engbersen (Ed.), Indicatoren van A tot Z. Van achterstandsscores tot zwerfkatten (pp. 83-84). Utrecht: NIZW.
  117. Published
  118. 1995
  119. Published