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  1. 2019
  2. Published
  3. 2018
  4. Published
    Koenis, J., & Bijsterveld, K. (2018). Conceptual Analysis. Maastricht: Creative Commons.
  5. Published
  6. Published
    Bijsterveld, K. (2018). Ears-on Exhibitions: Sound in the History Museum. In D. Howes (Ed.), History and Sociology (Vol. 2, pp. 345-359). (Senses and Sensation : Critical and Primary Sources). London: Bloomsbury Academic.
  7. Published
    Supper, A., & Bijsterveld, K. (2018). Klingt überzeugend: Arten des Zuhörens und Sonic Skills in Wissenspraktiken. In M. Zorn, & U. Lenker (Eds.), (Zu-) Hören interdisziplinär (pp. 133-146). (Münchner Veröffentlichungen zur Musikgeschichte; No. 1). München: Allitera Verlag.
  8. Published
  9. Published
  10. Published
    Bijsterveld, K. T. (2018). Sound Waves of Protest: Noise Abatement Movements. In M. Bull (Ed.), The Routledge Companion to Sound Studies New York [etc.]: Routledge/Taylor & Francis Group.
  11. Published
  12. Published
    Bijsterveld, K. (2018). Vorwort. In B. Brabec de Mori, & M. Winter (Eds.), Auditive Wissenskulturen: Das Wissen klanglicher Praxis (pp. xi). Springer: Transcript.
  13. 2017
  14. Published
  15. Published
    Bijsterveld, K., & Bruyninckx, J. (2017). De kunst van het afluisteren. In Tafelwetenschappers 2017: Avond van Wetenschap en Maatschappij (pp. 3). Amsterdam: Stichting Avond van Wetenschap en Maatschappij.
  16. Published
    Bijsterveld, K. (2017). Piepende oren: Over de rol van wetenschap in het ontstaan van publieke problemen. In H. van Lente, T. Swierstra, S. Wyatt, & R. Zeiss (Eds.), Wegwijs in STS - Knowing your way in STS (pp. 99-103). Datawyse.
  17. Published
  18. 2016
  19. Published
    Bijsterveld, K. T. (2016). Ethnography and Archival Research in Studying Cultures of Sound. In J. G. Papenburg, & H. Schulze (Eds.), Sound as Popular Culture Research Companion (pp. 99-109). Cambridge, MA: MIT.
  20. Published
  21. Published
    Bijsterveld, K. T. (2016). Nichts zu sehen, aber viel zu hören: Lärmschutzwände und die Einführung von KFZ-Audiosystemen. In B. Ochsner, & R. Stock (Eds.), SenseAbility: Mediale Praktiken des Sehens und Hörens (pp. 189-205). Bielefeld: Transcript.
  22. 2015
  23. Published
  24. Published
  25. Published
  26. Published
    Pinch, T., & Bijsterveld, K. T. (2015). Instruments and Innovation. In J. Shepherd, & K. Devine (Eds.), The Routledge Reader on the Sociology of Music (pp. 301-309). New York [etc.]: Routledge/Taylor & Francis Group.
  27. Published
  28. 2014
  29. Published
  30. Published
    Jacobs, A. E. G., & Bijsterveld, K. T. (2014). Der Klang der Besatzungszeit: Amsterdam 1940 bis 1945. In G. Paul, & R. Schock (Eds.), Sound der Zeit: Geräusche, Töne, Stimmen - 1889 bis heute (pp. 254-261). Göttingen: Wallstein Verlag.
  31. Published
  32. Published
  33. Published
    Bijsterveld, K. T., Cleophas, E. M., Krebs, S., & Mom, G. (2014). Sound and Safe: A History of Listening behind the Wheel. Oxford and New York: Oxford University Press.
  34. Published
  35. 2013
  36. Published
    Bijsterveld, K. T. (2013). A Wall of Sound: The Gramophone, the Radio, and the Noise of Neighbours. In M. Bull (Ed.), Sound Studies (pp. 209-239). (Critical Concepts in Media and Cutural Studies; No. Vol.2). New York: Routledge/Taylor & Francis Group.
  37. Published
    Jacobs, A. E. G., & Bijsterveld, K. T. (2013). Der Klang der Besatzungszeit: Amsterdam 1940 bis 1945. In G. Paul, & R. Schock (Eds.), Sound des Jahrhunderts. Geräusche, Töne, Stimmen - 1889 bis heute (pp. 252-257). (Zeitbilder). Bonn: Bundeszentrale für Politische Bildung.
  38. Published
    Bijsterveld, K. T. (2013). Eavesdropping on Europe: The Tape Recorder and East-West Relations among European Recording Amateurs in the Cold War Era. In A. Badenoch, A. Fickers, & C. Heinrich-Franke (Eds.), Airy Curtains in the European Ether: Broadcasting and the Cold War (pp. 101-121). Baden-Baden: Nomos Verlag.
  39. Published
    Bijsterveld, K. T. (2013). Introduction. In K. Bijsterveld (Ed.), Soundscapes of the Urban past: Staged Sound as Mediated Cultural Heritage (pp. 11-28). (Sound Studies Series; No. No. 5). Bielefeld: Transcript Verlag.
  40. Published
    Bijsterveld, K. T., & Krebs, S. (2013). Listening to the Sounding Objects of the Past: The Case of the Car. In K. Franinovic, & S. Serafin (Eds.), Sonic Interaction Design (pp. 3-38). Cambridge, MA: MIT Press.
  41. Published
    Bijsterveld, K. T., Jacobs, A. E. G., Aalbers, J. F. W., & Fickers, A. (2013). Shifting Sounds: Textualization and Dramatization of Urban Soundscapes. In K. Bijsterveld (Ed.), Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage (pp. 31-66). (Sound Studies Series; No. No. 5). Bielefeld: Transcript Verlag.
  42. Published
    Pinch, T., & Bijsterveld, K. T. (2013). 'Should One Applaud?': Breaches and Boundaries in the Reception of New Technology in Music. In M. Bull (Ed.), Sound Studies (pp. 270-291). (Critical Concepts in Media and Cultural Studies; No. Vol. 3). New York: Routledge/Taylor & Francis Group.
  43. Published
    Bijsterveld, K. T., van Dijck, J., Jacobs, A. E. G., & Jansen, B. (2013). Sound Technologies and Cultural Practices: How Analogies Make us Listen to Transformations in Arts and Culture. In J. Thissen, R. Zwijnenberg, & K. Zijlmans (Eds.), Contemporary Culture: New Directions in Arts & Humanities Research (pp. 139-154). (Transformations in Art and Culture). Amsterdam: Amsterdam University Press.
  44. Published
    Fickers, A., Aalbers, J. F. W., Jacobs, A. E. G., & Bijsterveld, K. T. (2013). Sounds Familiar: Intermediality and Remediation in the Written, Sonic and Audiovisual Narratives of Berlin Alexanderplatz. In K. Bijsterveld (Ed.), Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage (pp. 77-115). (Sound Studies Series; No. No. 5). Bielefeld: Transcript Verlag.
  45. Published
    Bijsterveld, K. T. (2013). Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage. (Sound Studies Series; No. No. 5). Bielefeld: Transcript.
  46. 2012
  47. Published
    Bijsterveld, K. T. (2012). A Wall of Sound: In 'Making the walls quake...': Catalogue Polish Pavilion, 13th International Architecture Exhibition, La Biennale di Venezia 2012 (pp. 160-194). Warsaw: National Gallery of Art.
  48. Published
    Bijsterveld, K. T. (2012). Listening to Machines: Industrial Noise, Hearing Loss and the Cultural Meaning of Sound. In J. Sterne (Ed.), The Sound Studies Reader (pp. 152-167). New York: Routledge/Taylor & Francis Group.
  49. Published
    Pinch, T., & Bijsterveld, K. T. (2012). New Keys to the World of Sound. In T. Pinch, & K. Bijsterveld (Eds.), The Oxford Handbook of Sound Studies (pp. 3-35). Oxford: Oxford University Press.
  50. Published
    Cleophas, E. M., & Bijsterveld, K. T. (2012). Selling Sound: Testing, Designing and Marketing Sound in the European Car Industry. In T. Pinch, & K. T. Bijsterveld (Eds.), The Oxford Handbook of Sound Studies (pp. 102-124). Oxford: Oxford University Press.
  51. Published
  52. Published
    Pinch, T., & Bijsterveld, K. T. (2012). The Oxford Handbook of Sound Studies. Oxford: Oxford University Press.
  53. 2011
  54. Published
    Bijsterveld, K. T. (2011). Bruit et Silence: Conceptions Culturelles. In M-O. Gonseth, B. Knodel, Y. Laville, & G. Mayor (Eds.), Bruits: Echos du Patrimoine culturel immatériel (pp. 58-65). Neuchâtel: Musée d'Ethnographie.
  55. Published
    Pinch, T., & Bijsterveld, K. T. (2011). Sound Studies: New Technologies and Music. In C. Rojek (Ed.), Popular Music, Volume 2: Technology and Copyright: Formations of Technology (pp. 3-16). London: SAGE.
  56. 2010
  57. Published
  58. Published
  59. Published
    Bijsterveld, K. T. (2010). Driving Away from Noise: On How the Car Became a Place to Unwind. In K. T. Bijsterveld (Ed.), Science and Technology Studies at Maastricht University: An Anthology of Inaugural Lectures (pp. 123-146). Maastricht: University Press Maastricht.
  60. Published
    Bijsterveld, K. T. (2010). Introduction. In K. T. Bijsterveld (Ed.), Science and Technology Studies at Maastricht University: An Anthology of Inaugural Lectures (pp. 5-12). Maastricht: University Press Maastricht.
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