Abstract
The connection between the illicit trade in looted antiquities and museums is more nuanced than museum ethics codes currently address. This chapter explores the role that museums play in the transnational illicit trade in antiquities, considering how museums serve as 'Receivers' and 'Influencers' both driving the market and acting as a public social conscience working against it. As 'receivers', museums bring illicit antiquities into their collection via direct sales or donations, obscuring or ignoring the illicit origins of the object, thus validating the trade. As 'influencers', museums set trends of cultural consumption among buyers through blockbuster exhibitions that have a trickle-down effect towards what is looted 'on the ground'. They also influence market values through their purchases, their collaboration with antiquities collectors, and their display of privately held works of dubious provenance. Contrastingly, some museums challenge the purchase of illicit antiquities through targeted exhibitions, education of donors, and strict acquisition policies.
| Original language | English |
|---|---|
| Title of host publication | Oxford Handbook of Museum Archaeology |
| Editors | Alice Stevenson |
| Place of Publication | Oxford |
| Publisher | Oxford University Press |
| Chapter | 4 |
| Pages | 87-97 |
| Number of pages | 11 |
| ISBN (Electronic) | 9780191882203 |
| ISBN (Print) | 9780198847526 |
| DOIs | |
| Publication status | Published - 18 Aug 2022 |
Keywords
- Antiquities market
- Collecting
- Corporate responsibility
- Cultural consumption
- Illicit antiquities
- Museum donors
- Museum ethics
- Value