Abstract
As this article argues, lyricism and narrativity are often expressed in nonprinted or non-written forms, which as such are often marginalized in the eyes of literary scholars, even comparatists. Comparatists are institutional heirs to a philological tradition that gravitated around the Gutenberg Comfort Zone of printed literatures in the European languages and genres. But a proper understanding of world literature should reconsider not only the notion of a Western-centred world. It should also reconsider the Western-centred (print-based and modernity-directed) notion of literature, and the production-anchored (rather than diffusion-oriented) sense of literary history.
Original language | English |
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Title of host publication | The Languages of World Literature |
Subtitle of host publication | Proceedings of the XXI Congress of the ICLA |
Editors | Achim Holter |
Publisher | De Gruyter |
Pages | 103-126 |
Number of pages | 24 |
ISBN (Electronic) | 9783110645033 |
ISBN (Print) | 9783110574333 |
DOIs | |
Publication status | Published - 2024 |