Action-perception coupling in violinists

Takafumi Kajihara, Rinus G. Verdonschot, Joseph Sparks, Lauren Stewart*

*Corresponding author for this work

Research output: Contribution to journalArticleAcademicpeer-review

Abstract

The current study investigates auditory-motor coupling in musically trained participants using a Stroop-type task that required the execution of simple finger sequences according to aurally presented number sequences (e.g., "2," " 4," "5," "3," "1"). Digital remastering was used to manipulate the pitch contour of the number sequences such that they were either congruent or incongruent with respect to the resulting action sequence. Conservatoire-level violinists showed a strong effect of congruency manipulation (increased response time for incongruent vs. congruent trials), in comparison to a control group of non-musicians. In Experiment 2, this paradigm was used to determine whether pedagogical background would influence this effect in a group of young violinists. Suzuki-trained violinists differed significantly from those with no musical background, while traditionally-trained violinists did not. The findings extend previous research in this area by demonstrating that obligatory audio-motor coupling is directly related to a musicianstextquotesingle expertise on their instrument of study and is influenced by pedagogy.
Original languageEnglish
JournalFrontiers in Human Neuroscience
Volume7
Issue numberJUL
DOIs
Publication statusPublished - 2013
Externally publishedYes

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