TY - JOUR
T1 - Action-perception coupling in violinists
AU - Kajihara, Takafumi
AU - Verdonschot, Rinus G.
AU - Sparks, Joseph
AU - Stewart, Lauren
PY - 2013
Y1 - 2013
N2 - The current study investigates auditory-motor coupling in musically trained participants using a Stroop-type task that required the execution of simple finger sequences according to aurally presented number sequences (e.g., "2," " 4," "5," "3," "1"). Digital remastering was used to manipulate the pitch contour of the number sequences such that they were either congruent or incongruent with respect to the resulting action sequence. Conservatoire-level violinists showed a strong effect of congruency manipulation (increased response time for incongruent vs. congruent trials), in comparison to a control group of non-musicians. In Experiment 2, this paradigm was used to determine whether pedagogical background would influence this effect in a group of young violinists. Suzuki-trained violinists differed significantly from those with no musical background, while traditionally-trained violinists did not. The findings extend previous research in this area by demonstrating that obligatory audio-motor coupling is directly related to a musicianstextquotesingle expertise on their instrument of study and is influenced by pedagogy.
AB - The current study investigates auditory-motor coupling in musically trained participants using a Stroop-type task that required the execution of simple finger sequences according to aurally presented number sequences (e.g., "2," " 4," "5," "3," "1"). Digital remastering was used to manipulate the pitch contour of the number sequences such that they were either congruent or incongruent with respect to the resulting action sequence. Conservatoire-level violinists showed a strong effect of congruency manipulation (increased response time for incongruent vs. congruent trials), in comparison to a control group of non-musicians. In Experiment 2, this paradigm was used to determine whether pedagogical background would influence this effect in a group of young violinists. Suzuki-trained violinists differed significantly from those with no musical background, while traditionally-trained violinists did not. The findings extend previous research in this area by demonstrating that obligatory audio-motor coupling is directly related to a musicianstextquotesingle expertise on their instrument of study and is influenced by pedagogy.
U2 - 10.3389/fnhum.2013.00349
DO - 10.3389/fnhum.2013.00349
M3 - Article
SN - 1662-5161
VL - 7
JO - Frontiers in Human Neuroscience
JF - Frontiers in Human Neuroscience
IS - JUL
ER -